Dana Davenport (1994) is a Korean and Black American interdisciplinary artist shifting between installation, sculpture, video, and performance. Within her practice, she addresses the complexities that surround interminority racism as a foundation for envisioning her own and the collective futurity of Black and Asian peoples. Davenport utilizes synthetic hair as a proxy for her body to discuss the strained relationship between Black and Asian peoples, specifically in America. As a product overwhelmingly sold by Koreans to Black Americans, she considers the implications of the material as it sits on the beauty supply shelf and how it is activated in the hands of Black folks through love and labor.